Design tips

Colour me Autumn

The days are starting to shorten, and the evenings are getting chillier. Things are definitely Autumning up around here, and as the colours and the light are changing too, I felt this Autumnal theme could make for a good post about colour.

I genuinely fell in love with colour, and the incredible power that it can have

Colour is something that is very important to me. During my first year at Camberwell studying Illustration, I spent an entire term learning about colour – how it works, how it can be manipulated, and generally loads of great things about it. It was during this elective that I began developing my monoprinting technique, which ultimately led me to create Reynard the Fox in the way that I did. I genuinely fell in love with colour, and the incredible power that it can have, so I am going to share some of that love with you – and perhaps it will help you to make choices in your own books and business branding, maybe even your home interiors too!

One of the loveliest ways that we can see the light around us changing at this time of year, is the way in which leaves on the ground reflect much more light than dark grass and grey pavements or roads. Yellow leaves especially can seem to light the world from the ground up. The atmosphere is given a warm, often matte and a smoky sort of look. Look at these two images:

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Next time you are walking along a tree-lined street, or park full of trees, really try to notice the light around you. Look and see where the light is coming from.

Thinking about Autumn’s wonderful colour palette is a happy, indulgent place for me

As a parent to young children, the part of me that used to love the onset of Autumn, and the re-introduction of my scarf cupboard, now instead sighs at the onset of the snot season and the amount of tissues that I will find in my pockets at the end of every day until March. (Does really big sigh). So thinking about Autumn’s wonderful colour palette is a happy, indulgent place for me.

Whenever I am designing anything, thinking about the colours I use is a crucial stage. Something that is slightly too yellow, or a purple that is too heavy can really affect the success of a page. But it is not the heavy purple that is doing the damage. Or the yellow that is too yellow. Instead, it is how that purple or yellow is acting next to the colours that sit alongside it. A colour can totally change its appearance based on where and how it is placed. Take a look at these oak leaf graphics:

08_colour-me-autumn-graphics2-v2

Both of these leaves are the exact same tones and shade, but they appear completely different depending on what colour they are placed with. When placed on the deep burgundy, the oak leaf appears to be much brighter than when placed on the pale blue. When you are choosing colours for your brand, or even your bedroom wall, it is not always about choosing ‘the exact colour’. It is about choosing a colour that looks the way you want it to, when it is placed in context alongside something else. Here is another example:

08_colour-me-autumn-graphics3

Again, its tricky to see that both words are the exact same tone of yellow. The top one, sitting on the cool shade of green looks like a colder image, and the yellow itself looks a more ‘muddy’ yellow. The lower graphic generally feels warmer, with the heat of the burnt orange. Yet the yellow text actually looks ‘cooler’.

one colour used on two different backgrounds, could have a very different meaning

If you are clever about your colour choices, and you choose three colours to be the core colours for your business, those three colours could actually become many more than three, when used alongside each other. And therefore, one colour used on two different backgrounds, could have a very different meaning.

Autumn is a special time of year, even though it brings with it the onset of Winter, and also SAD (Seasonal Affective Disorder), something I can definitely relate to in the slog that is January and February. In order to help combat this, let us think about the joy of colour, and how this time of year can actually bring a warmth of yellow, orange and deep burgundy that is a true feast for the eyes. I am going to try and spend a few moments of every day observing the light and colours outside … And maybe I’ll pull out a good scarf or two – just for a treat!

Design tips

Designing everyday tasks …

… Otherwise entitled, “How to fill a blank page”

I think about how things look all the time. We are very slowly renovating (sounds way more glamorous than it is) our Victorian house, and because I work from home, am home with the children a lot, and rate myself quite highly on the introvert scale … I spend a lot of time in our house. So I spend many hours imagining how our house should look: what shape the furniture needs to be, what colours will lighten everything up, and how can we make modest rooms feel big. This is something I genuinely love to do – daydreaming how I’m going to turn a fairly ordinary woodchip-covered cottage-house, into a smart, minimal, dreamy, LivingEtc-worthy super-cool period house. (This will become my life’s work, I suspect …)

The way I approach my design work is the same. What is the text going to tell people? How am I going to make this copy turn into the most beautiful, cool and engaging book that I can? Do I need other people to help me, or can I do this all myself?

These questions can be related to anything, when designing or creating a document is involved – be it a marketing poster, a website, an invitation, a book, a business card, even a set of instructions. So below I have listed a few key things to think about the next time you have a document to design:

Who is this piece for?

Who is my end-user? Is it a customer or client? Is it a child or a parent? The answer to this question should determine how you choose a suitable font. It should also help you decide what images are appropriate, and the format of the content you are creating. It may influence what colours you use – do you want to attract men or women, or both?


Logos or branding

If your document is a piece of marketing, you will want to show your brand logo or name – this helps to build your brand story. It also helps people engage with you and your brand, and will help them understand who is behind the content. The more they can see your branding, the more they will remember you.


Fonts

Fonts indicate a lot without many of us even noticing. They are a bit like clever cats, having the ability to make us see and do things we didn’t even realise! A well-chosen font will mean the difference between people reading your content, and giving up after the second line. If the font is for full paragraphs of text, you probably shouldn’t choose something too decorative and twiddly. If it’s a font for a picture book, have a look at the illustrations, and try to find a font that reflects the shape of the drawings – if the characters have very round faces, a font with very rounded letters will match really well.


Images

When I am organising any poster or page in a book, it is always a good idea to see what images you have that you can use. Get them on the page and see how big they can potentially go – this can help you build a shape to your layout. It can also be a good way of shaping the direction of your text.
Likewise, images can be used as graphic holding devices for your text. If you don’t have any photos or illustrations to use, creating graphic holding devices (eg. a cloud shape with your text inside) can be a great way to create a shape and narrative to your page.


Hierarchy of information

This is a big one for marketing content. Understanding what information is most important will guide the font weights and sizes you use. Titles and sub-headers or introductions should be clear and pull the reader/customer in. Underneath that, your main copy, or body copy should be clear but can be smaller as there will be more of it. The hierarchy of information will tell your customer the key information they need to know – make sure key facts are clear, maybe bulleted and not hidden.


Colour

This subject seems a little extravagant after all the other headings. I love to use colour, but often work in black and white, with maybe one colour – when I am first building my layouts. This helps me to get the order of content and the shapes on the page correct. Once I am happy with a layout, and the text is reading well, then I start to introduce colour.

I hope you find these suggestions useful. Over time I will expand on all of these. Taking the time to implement these ideas will really lift the way your content is presented, and therefore enhance your brand, book or business. … As well as making you look like a cool hipster-design dude … Win-win I reckon! x